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ISBN: 9790044000227 9790044079711 9790044081288 9790044081547 Year: 2003 Publisher: Paris Durand
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Year: 1913 Publisher: Paris : P. Ollendorff,
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Year: 1970 Publisher: Genève, Slatkine Reprints,
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Year: 1957 Publisher: Peking : New World Press,
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Year: 1958 Publisher: Paris : P. Horay,
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Year: 2022 Publisher: Berlin : De Gruyter,
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At the end of the 1970s, a new genre cycle was formed in US cinema. Starting with space opera in cinema, for which George Lucas' Star Wars is paradigmatic, fantasy established itself for the first time as an independent cinematic genre in distinction from fairy tales and fantastic fiction. The enthusiasm for pen & paper role-playing games and the continuing J. R. R. Tolkien craze culminated in the following years in a series of films that absorbed, pushed and further developed the diversity of modern film technology and production: the spectrum of films ranged from live-action films (Conan the Barbarian) to puppet animation (The Dark Crystal) to animated films (The Last Unicorn), in which George Lucas as well as Jim Henson and the production companies behind them at the time played leading roles. Contemporary critics had written these films off as conservative, sometimes even reactionary genre plays. In contrast, this essay unfolds a (historical) poetics of the US fantasy film. With its film-analytical case studies, the volume shows how the films of the years 1977 to 1987 are embedded in a specific film culture and how the genre cycle as part of the Hollywood system prepared and significantly influenced the triumph of blockbuster cinema in the 1990s.
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Year: 1963 Publisher: Toronto, Canadian Opera Association.
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Year: 1921 Publisher: [Bruxelles : Maurice Lamertin, libraire-éditeur, Marcel Hayez, imprimeur,
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